This large-format frieze, hand-printed on a single continuous piece of cotton fabric, is intended as a metaphor for the creative process I have been developing as a textile artist, designer, and printer. It represents a synthesis, revision and reinterpretation of my work in those fields.

My interest in textile design stems from the need to decontextualize the artistic object, to transcend the traditional mediums of art, and to expand its boundaries toward spaces of dwelling and daily life—areas commonly associated with design and its many disciplines.

From the beginning, my textile art project has focused on the hand-printed piece as a primary element and central axis to transition into different objects and spaces, exploring its multiple applications. It is an ongoing search to generate new aesthetic possibilities by approaching printing from an artistic and experimental perspective. The goal is to discover areas of exploration, dialogue, and fusion between art and design.

In this piece, I have sought to create a visual translation or allegory of the creative processes that structure this search. I understand that the word “process” holds both its power and complexity: it is an experience that unfolds in stages rather than in an unidirectional way. It is chaotic, open-ended, and, above all, multidirectional and continuous.

This work has been conceived as a visual reflection of that moment—a temporal snapshot of a perpetual and uncertain evolution. It captures a fragment of the process rather than its entirety. Since in artistic experimentation, endings are symbolic. There are no conclusions, only interconnected cycles.